Showing posts with label D. H. Lawrence. Show all posts
Showing posts with label D. H. Lawrence. Show all posts

Thursday

Lecture 4


[C. H. Rolph, ed. The Trial of Lady Chatterley (1961)]

D. H. Lawrence:
Lady Chatterley's Lover (1928)

Character



Anthology Texts:


History of the Ban:


Lady Chatterley's Lover was suppressed long before the case of Grove Press v. Cbristenberry went to trial in 1959. The decision was made to publish the novel in Italy in 1928, then to send copies to subscribers in England to avoid censors. Publishing in this way made it impossible for Lawrence to obtain an international copyright, so the author lost substantial money through the appearance of numerous pirated editions. The United States government had declared the novel obscene in 1929, and the post office ruled the novel barred from the mails. Travelers returning from Europe with copies of the novel faced having the book confiscated by United States Customs. Objections to the novel arose over both the explicit sexual description in the novel and the language used by the characters. As Charles Rembar, the lawyer who defended the novel in the 1959 trial, observed in his account of the case,

not only did the Lawrence novel devote more of its pages to the act of sex and deal with it in greater detail than anything ever before sold over the counter; it had language that had never been seen in a book openly circulated, except when used for tangential and occasional purposes, and not often then … Lady Chatterley's Lover presented the forbidden acts in forbidden detail, and described them in forbidden language.

In 1929, John Sumner, secretary of the New York Society for the Suppression of Vice, alerted officials at the Boston Watch and Ward Society that bibliophile and former Yale librarian James A. DeLacey, now proprietor of Dunster House Bookshop, had ordered five copies of the novel. An agent went to the bookstore to purchase the book and, after repeated refusals, obtained a copy. The society then instituted legal proceedings against DeLacey and his clerk, Joseph Sullivan, who were found guilty on November 25, 1929, by Judge Arthur P. Stone in Cambridge district court. DeLacey was fined $800 and sentenced to four months in jail, and Sullivan was fined $200 and sentenced to two weeks in jail. The convictions were appealed, but, despite strong community support for the two men and attestations to their character, on December 20, 1929, Judge Frederick W. Fosdick upheld the lower court conviction. The case was then taken to the state supreme court.

A year later, the novel was the key element of the "Decency Debates" that raged in the United States Senate between Senator Bronson Cutting of New Mexico and Senator Reed Smoot of Utah. Cutting worked to modify the censorship laws while Smoot opposed reform ("Senator Smoot Smites Smut," read one newspaper headline). That same year, a Philadelphia prosecutor authorized a raid on a bookshop and the seizure of 300 books, among them Lady Chatterley's Lover, Fanny Hill and The Perfumed Garden, marking the beginning of an extensive campaign to eliminate the sale of "obscene literature" in that city. Also in 1930, the Massachusetts supreme court affirmed DeLacey's conviction, and he was sentenced to four months in jail.

In 1944, John Sumner, acting in the name of the New York Society for the Suppression of Vice, seized copies of The First Lady Chatterley, and the book remained on the blacklist of the National Organization of Decent Literature until 1953.

The novel had appeared in expurgated form over the 30 years since it had first appeared, but the Grove Press edition was the full edition with all of the "four-letter words" and sex scenes created by Lawrence. As soon as the novel was published by Grove, Postmaster General Christenberry issued an order to ban the novel from the mails. The publisher went to court and Grove Press Inc. v. Christenberry, 175 F. Supp. 488 (S.D.N.Y. 1959) was heard in federal district court by Judge Frederick van Pelt Bryan, who agreed with the publisher and lifted the ban. He stated in his opinion that the application of a rule of contemporary community standards to the case signals acceptance of the book throughout the country:

The broadening of freedom of expression and of the frankness with which sex and sex relations are dealt with at the present time require no discussion. In one best selling novel after another frank descriptions of the sex act and "four-letter'' words appear with frequency. These trends appear in all media of public expression, in the kind of language used and the subjects discussed in polite society, in pictures, advertisements and dress, and in other ways familiar to all. Much of what is now accepted would have shocked the community to the core a generation ago. Today such things are generally tolerated whether we approve or not.

I hold that at this stage in the development of our society, this major English novel does not exceed the outer limits of tolerance which the community as a whole gives to writing about sex and sex relations.

In Grove Press Inc. v. Christenberry, 276 F.2d 433 (2d Cir. 1960), the circuit court of appeals agreed with Judge Bryan’s decision.

In 1959, Postmaster General Summerfield made the decision to continue to suppress copies of Lady Chatterley's Lover from the mail, declaring that the book was filled with "filthy," "smutty," "degrading," "offensive" and "disgusting" words, as well as with descriptions of sexual acts. He claimed that such "filthy words and passages" outweighed any literary merit that the book might have.

In England in 1960, the director of public prosecutions brought a criminal action against Penguin Books, Ltd., when the publisher announced its intention to openly publish the first unexpurgated British edition of Lady Chatterley's Lover. The prosecutor, Senior Treasury Counsel Mervyn Griffith-Jones, asked jurors to test the obscenity of the book themselves by answering these two questions: "Is it a book that you would have lying around your house? Is it a book that you would even wish your wife or your servants to read?" The defense attorneys argued that the novel as a whole was not obscene, despite language and sexual content in various passages. Thirty-five defense experts stressed the literary merit of the work, and the jury deliberated for three days before acquitting Penguin Books of all charges. Kuh relates that when the House of Lords debated the trial that cleared the novel, with its sexual episodes between a lady and her gamekeeper, a peer who agreed with the decision was asked, "Would you want your wife to read it?" He replied, "I would not object to my wife reading it, but I don't know about my gamekeeper."

In 1965, the Indecent Publications Tribunal of New Zealand reviewed the paperback edition of Lady Chatterley's Lover to determine if it was indecent, despite an earlier decision that no action would be taken regarding the import or sale of the cloth-bound edition of the novel. At the time, the cloth-bound edition sold in New Zealand for 16 shillings and the paperback edition for 5 shillings. The tribunal acknowledged that the novel "is a seriously written work by an author who has an established place in the field of English literature" and that "the text of the story is in the case of each identical; there is no difference between the two editions save in regard to the preface of the one and the introduction of the other and the form of each respectively."

Nonetheless, tribunal members considered if the novel should be kept out of the hands of persons under 18 years of age, and the issue became the difference in cost between the cloth-bound and the paperback editions, the low price of the paperback making it easily available to minors. This consideration motivated dissent among the members of the tribunal, two of whom asserted that "the sale of the Penguin [paperback] edition should be restricted to persons of seventeen years or over .... They think it is a matter for regret that the free circulation of the hardcover edition should have prejudiced the issue, embarrassed the Tribunal and made it virtually impossible in a particularly clear instance to invoke the provisions of the statute." The other three tribunal members felt that, given the unrestricted circulation of the hardcover edition, "it would be futile to classify the paperback edition as indecent in the hands of juveniles.” Viewing any restrictive action against the paperback edition as futile, the majority view of the tribunal determined on April 7, 1965, that "the paperback edition of Lady Chatterley's Lover published by Penguin Books is not indecent within the meaning of the Indecent Publications Act of 1963."

– Nicholas J. Karolides, Margaret Bald & Dawn B. Sova, 100 Banned Books: Censorship Histories of World Literature (New York: Checkmark Books, 1999): 300-03.



Character:
Theories of Character (Critical & Psychological)

Extracts from Aristotle’s Poetics:


… one should not show worthy men passing from good fortune to bad. That does not arouse fear or pity but shocks our feelings.

Nor again wicked people passing from bad fortune to good. That is the most untragic of all, having none of the requisite qualities, since it does not satisfy our feelings or arouse pity or fear.

Nor again the passing of a thoroughly bad man from good fortune to bad fortune. Such a structure might satisfy our feelings but it arouses neither pity nor fear, the one being for the man who does not deserve his misfortune, and the other for the man who is like ourselves – pity for the undeserved misfortune, fear for the man like ourselves …

There remains then the mean between these. This is the sort of man who is not pre-eminently virtuous and just, and yet it is through no badness or villainy of his own that he falls into the fortune, but rather through some flaw in him … the change must be not to good fortune from bad but, on the contrary, from good to bad fortune, and it must not be due to villainy but to some great flaw in such a man as we have described ...


The Theory of the Humours:


BLOOD - Air (hot / moist) - SANGUINE:
amorous, happy, generous
YELLOW BILE - Fire (hot / dry) - CHOLERIC:
violent, vengeful
PHLEGM - Water (cold / moist) - PHLEGMATIC:
dull, pale, cowardly
BLACK BILE - Earth (cold / dry) - MELANCHOLIC:
gluttonous, lazy, sentimental


The Jungian Theory of Character:

Extravert or

Introvert?



Think out loud


Keep thoughts to yourself


Show energy and enthusiasm for activities


Watch first, then try task or activity


Easily distracted


Can ignore distractions


Attracted to action and activity


Like to spend time alone to get re-energized


Act before you think


Like to observe before trying things


Say things before thinking them through


Pause before answering new questions


Like variety and lots of action


Enjoy individual or small group activities


Think out loud while talking to others


Think ahead, then respond to others



Radical Behaviorism:

You're all familiar with Pavlov's experiments on salivating dogs. More to the point, perhaps, is the (so-called) Radical Behaviorism of the American B. F. Skinner (1904-1990). After a false start doing a degree in English literature and trying to become a writer, he went on to do a PhD in Psychology at Harvard.

His version of Behaviorism "radically rejected mediating constructs and the hypothetico-deductive method, instead offering a strongly inductive, data driven approach that has proven to be successful in dozens of areas from behavioral pharmacology to language therapy in the developmentally delayed." In this he might be seen as an heir to American Pragmatism, the philosophical movement headed by William James and Charles S. Peirce.

His views on teaching can be summarised as follows:
  1. People have a fear of failure
  2. There is a lack of directions
  3. There is also a lack of clarity in the direction
  4. Positive reinforcement is not used enough
  5. The task is not broken down into small enough steps

Skinner suggests that with all of the obstacles out of the way any age appropriate skill can be taught using his 5 principles:
  1. Have small steps
  2. Work from most simple to most complex tasks
  3. Repeat the directions as many times as possible
  4. Give immediate feedback
  5. Give positive reinforcement


For our purposes, though, the Skinner book which is of most importance is Walden Two (1948), a fictionalised account of a successful Utopian community in 1940s America.

This story has been much criticised (but also much read). There have even been a number of attempts to set up an actual community along the lines suggested by Skinner - none (as yet) successful, unfortunately.


[Lady Chatterley (2006)]

Workshop 4:
John Thomas and Lady Jane


We'll begin with the book report on Lady Chatterley's Lover, then move on to do the class exercise in pairs or small groups.

Exercise 4:
Comparing Connies

[Marina Hands (2006)]

[Joely Richardson (1995)]

[Sylvia Kristel (1981)]

[Harlee McBride (1976)]

[Danielle Darrieux (1955)]


  • Look at each picture carefully. List the items you see in it.
  • How do you react to those things? Write down some of those reactions.
  • Try grouping them together. Are there common factors?
  • Has there been a progression over time?


Next week:

Group 3: Book report on Tropic of Cancer due.

Wednesday

Lady Chatterley's Lover (1928)


[Cover Image: Amedeo Modigliani]

D. H. Lawrence
Lady Chatterley's Lover (1928)




Extract:

Still panting with their exertions, each wrapped in an army blanket, but the front of the body open to the fire, they sat on a log side by side before the blaze, to get quiet. Connie hated the feel of the blanket against her skin. But now the sheet was all wet.

She dropped her blanket and kneeled on the clay hearth, holding her head to the fire, and shaking her hair to dry it. He watched the beautiful curving drop of her haunches. That fascinated him today. How it sloped with a rich down-slope to the heavy roundness of her buttocks! And in between, folded in the secret warmth, the secret entrances!

He stroked her tail with his hand, long and subtly taking in the curves and the globe-fullness.

'Tha's got such a nice tail on thee,' he said, in the throaty caressive dialect. 'Tha's got the nicest arse of anybody. It’s the nicest, nicest woman's arse as is! An' ivery bit of it is woman, woman sure as nuts. Tha'rt not one o' them button-arsed lasses as should be lads, are ter! Tha's got a real soft sloping bottom on thee, as a man loves in 'is guts. It's a bottom as could hold the world up, it is!"

All the while he spoke he exquisitely stroked the rounded tail, till it seemed as if a slippery sort of fire came from it into his hands. And his finger-tips touched the two secret openings to her body, time after time, with a soft little brush of fire.

'An' if tha shits an' if tha pisses, I'm glad. I don't want a woman as couldna shit nor piss.'

Connie could not help a sudden snort of astonished laughter, but he went on unmoved.

'Tha'rt real, tha art! Tha'rt real, even a bit of a bitch. Here tha shits an' here tha' pisses: an' I lay my hand on 'em both an' like thee for it. I like thee for it. Tha's got a proper, woman's arse, proud of itself. It's none ashamed of itself, this isna.'

He laid his hand close and firm over her secret places, in a kind of close greeting.

I like it,' he said. 'I like it! An' if I only lived ten minutes, an’ stroked thy arse an' got to know it, I should reckon I'd lived one life, see ter! Industrial system or not! Here's one o’ my lifetimes.'

She turned round and climbed into his lap, clinging to him. ‘Kiss me!’ she whispered.

And she knew the thought of their separation was latent in both their minds, and at last she was sad.

She sat on his thighs, her head against his breast, and her ivory-gleaming legs loosely apart, the fire glowing unequally upon them. Sitting with his head dropped, he looked at the folds of her body in the fire-glow, and at the fleece of soft brown hair that hung down to a point between her open thighs. He reached to the table behind, and took up her bunch of flowers, still so wet that drops of rain fell on to her.

‘Flowers stops out of doors all weathers,' he said. 'They have no houses.'

'Not even a hut!' she murmured.

With quiet fingers he threaded a few forget-me-not flowers in the fine brown fleece of the mound of Venus.

'There!' he said. 'There's forget-me-nots in the right place!'

She looked down at the milky odd little flowers among the brown maiden-hair at the lower tip of her body. 'Doesn't it look pretty!' she said.

'Pretty as life,' he replied.

And he stuck a pink campion-bud among the hair.

'There! That's me where you won't forget me! That's Moses in the bull-rushes.'

'You don't mind, do you, that I'm going away?' she asked wistfully, looking up into his face.

But his face was inscrutable, under the heavy brows. He kept it quite blank.

'You do as you wish,' he said.

And he spoke in good English.

'But I won't go if you don't wish it,' she said, clinging to him.

– D. H. Lawrence, Lady Chatterley's Lover, 1928 (Harmondsworth: Penguin, 1969): 232-33.


Online Text:

Wikisource edition (full text)




[John Thomas and Lady Janes. 1972 (Harmondsworth: Penguin, 1973)]

Critical Responses:

"Is it the kind of book you would wish your wife or servants to read?" - Mervyn Griffith-Jones.

"John Thomas says good-night to Lady Jane, a little droopingly, but with a hopeful heart." - D. H. Lawrence.



L'Amant de Lady Chatterley (1955)
directed by Marc Allégret
screenplay by Marc Allégret & Gaston Bonheur
starring Danielle Darrieux, Erno Crisa & Leo Genn

Critical Responses:

"This book and movie caused a great sensation in 1959 because it was considered pornographic. The book was not allowed to be read and the movie was not allowed to be shown in America. Finally, after a highly publicized court battle, the courts allowed the book and the movie to appear on the grounds of "artistic merit" and everybody went to see the movie. The content, about a married woman who commits adultery, is so mild by today's standards that the book and movie are largely forgotten. However, it was because of the court precedent set by "Lady Chatterley's Lover" that we are allowed to see and read almost everything today." - Sam Sloan.



Lady Chatterley's Lover (1981)
directed by Just Jaeckin
screenplay by Marc Behm & Just Jaeckin
starring Sylvia Kristel, Shane Briant & Nicholas Clay

Critical Responses:

"From the makers of "Emmanuelle: The Joys Of A Woman"...not exactly D. H. Lawrence territory, is it? Still in all, this low-budget sexcapade has decent locales and very steamy leads (Sylvia Kristel and Nicholas Clay), neither of whom are shy about appearing in the buff. It is noteworthy that this is one of the few R-rated movies from this period to show the man undressed as well as the woman, and their sex in the forest has animal heat to it. But those looking for an adept cinematic translation of the famous novel will be embarrassed...and perhaps even slightly amused. The weakest link is the editing, which darts around leaving scenes unfinished, such as the finale (which is really just a bushel of footage posing as an ending). However, on a soft-core/harlequin level, "Lady Chatterly's Lover" isn't too bad." - Internet Movie Database.



Lady Chatterley (1993)
directed by Ken Russell
screenplay by Ken Russell
starring Joely Richardson, Sean Bean & James Wilby

Critical Responses:

"D. H. Lawerence wrote some of my favorite books of all time, including Lady Chatterley's Lover, so at first, I was afraid to watch these short little missives. I was not disappointed, however. It held true to quite a few aspects of the "Sir John Thomas and Lady Jane" version of the book than the original publication, but Lawerence never seemed to be quite satisfied and was always changing. Joely Richardson was a beautiful Lady Chatterley, and Sean Bean seemed the perfect Mellors. James Wilby was so convincing as Clifford that by the end of this movie, you just wanted that horrid wretch to be left alone, wallowing in his misery, because like everything else in his life, Constance was a possession, not a human being. This movie is a timeless treasure for anyone who loves the idea of being in love!" - Internet Movie Database

Quotes:

Lady Chatterley: It's never the obvious that happens, is it?

--------------------------------------------------------------------------------
Lady Chatterley: We want to make the world dance to our tune, that's all. But the world's got a tune of its own, much older than ours.

--------------------------------------------------------------------------------
Mellors: I want yer... through 'ere.


Lady Chatterley (2006)
directed by Pascale Ferran
screenplay by Roger Rohbot & Pascale Ferran
starring Marina Hands, Jean-Louis Coulloc'h & Hippolyte Girardot

Critical Responses:

"I didn't really expect too much from this movie and hearing the running time was just short of three hours, was fully prepared to leave after getting a flavour of it. How wrong I was, this is a very fine film and doesn't drag for a moment. It is beautiful, believable and nothing short of a wonderful sexy surprise. All the support acting is measured and helps provide a solid counterbalance for the central couple who gradually learn to let go their inhibitions and slide blissfully from lust to love. It is all very gradually done from Chatterley's first glimpse of the gamekeeper washing himself outside his hut and her consequent, and at the time seemingly over the top, need to sit to gather her senses, literally; to the powerful scene where she asks him to turn and display his erect penis and the wondrous scenes of the naked couple cavorting ecstatically in the pouring rain. All in all a fine mix of the wonders of nature, the manliness of the hand made, the power of sex and the need for love. The more overt political elements that Lawrence would probably have wanted put more to the fore are probably better dealt with here, kept more in the background. Brave film making, especially at a time when being so positive about 'sexual healing' seems so out of vogue." - Internet Movie Database


The Chatterley Affair (2006)
directed by James Hawes
screenplay by Andrew Davies
starring Rafe Spall, Louise Delamere & Mary Healey

Critical Responses:

"Interesting BBC4 drama, set in the 1960s about the true story of the court case deciding whether or not the infamous book Lady Chatterley's Lover should be banned or not. The trial itself still is the biggest and most famous obscenity trial in British history, so it's a little surprising it's taken this long for a feature-length drama to be made of it.

I've never actually read the book, and I think to fully appreciate it you really need to have read it, but I did see the Sean Bean and Joely Richardson adaptation a few years back so I knew the general plot. It was reasonably well acted. The scenes in court are apparently the exact words used in the trial, so you can't fault the screenplay there, but outside the courtroom the script could have done with a little bit of work.

Certainly not a masterpiece, but it's entertaining enough and worth watching if you get a chance." - Internet Movie Database.


[The First Lady Chatterley. 1944 (Harmondsworth: Penguin, 1973)]

Tuesday

Lawrence, D. H.


[self-portrait]

David Herbert Lawrence
(1885-1930)


Select Bibliography:

novels:


The White Peacock (1911)
The Trespasser (1912)
Sons and Lovers
The Rainbow (1915)
Women in Love (1920)
The Lost Girl (1920)
Aaron's Rod (1922)
Kangaroo (1923)
The Boy in the Bush (1924)
The Plumed Serpent (1926)
Lady Chatterley's Lover (1928)
The Escaped Cock (1929) (re-published as The Man Who Died)


short stories:


The Prussian Officer and Other Stories (1914)
England, My England and Other Stories (1922)
The Horse Dealer's Daughter (1922)
The Fox, The Captain's Doll, The Ladybird (1923)
St Mawr and other stories (1925)
The Rocking-Horse Winner (1926)
The Woman who Rode Away and other stories (1928)
The Virgin and the Gipsy and Other Stories (1930)
Love Among the Haystacks and other stories (1930)
Collected Stories (1994)


poetry:


Love Poems and others (1913)
Amores (1916)
Look! We have come through! (1917)
New Poems (1918)
Bay: a book of poems (1919)
Tortoises (1921)
Birds, Beasts and Flowers (1923)
The Collected Poems of D H Lawrence (1928)
Pansies (1929)
Nettles (1930)
Last Poems (1932)
Fire and other poems (1940)
The Complete Poems of D H Lawrence, ed. Vivian de Sola Pinto and F. Warren Roberts (1964)

drama:

The Widowing of Mrs Holroyd (1914)
Touch and Go (1920)
David (1926)
The Fight for Barbara (1933)
A Collier's Friday Night (1934)
The Married Man (1940)
The Merry-go-round (1941)
The Complete Plays of D H Lawrence (1965)
The Plays, ed. Hans-Wilhelm Schwarze and John Worthen (1999)

travel books:

Twilight in Italy and Other Essays (1916)
Sea and Sardinia (1921)
Mornings in Mexico (1927)
Sketches of Etruscan Places and other Italian essays (1932)

non-fiction:

Study of Thomas Hardy and other essays (1914)
[as Lawrence H. Davison] Movements in European History (1921)
Psychoanalysis and the Unconscious (1921)
Fantasia of the Unconscious (1922)
Studies in Classic American Literature (1923)
Reflections on the Death of a Porcupine and other essays (1925)
A Propos of Lady Chatterley's Lover (1929)
Apocalypse and the writings on Revelation (1931)
Phoenix: the posthumous papers of D H Lawrence (1936)
Phoenix II: uncollected, unpublished and other prose works by D H Lawrence (1968)
Introductions and Reviews, ed. N. H. Reeve and John Worthen (2004)
Late Essays and Articles, ed. James T. Boulton (2004)


translations:


Lev Isaakovich Shestov, All Things are Possible (1920)
[with S. S. Koteliansky] Ivan Alekseyevich Bunin, The Gentleman from San Francisco (1922)
Giovanni Verga, Mastro-Don Gesualdo (1923)
Giovanni Verga, Little Novels of Sicily (1925)
Giovanni Verga, Cavalleria Rusticana and other stories (1928)
Antonio Francesco Grazzini, The Story of Doctor Manente (1929)

manuscripts and early versions of novels:

Paul Morel (1911-12), ed. Helen Baron (2003)
The First Women in Love (1916-17) ed. John Worthen and Lindeth Vasey (1998)
Mr Noon (1920), ed. Lindeth Vasey (1984)
The Symbolic Meaning: The Uncollected Versions of Studies in Classic American Literature (1922), ed. Armin Arnold (1962)
Quetzalcoatl (1925), ed. Louis L Martz (1998)
The First and Second Lady Chatterley novels (1926-27), ed. Dieter Mehl and Christa Jansohn (1999)

letters:

The Letters of D. H. Lawrence: Volume I, September 1901 - May 1913, ed. James T. Boulton (1979)
The Letters of D. H. Lawrence: Volume II, June 1913 - October 1916, ed. George J. Zytaruk and James T. Boulton (1981)
The Letters of D. H. Lawrence: Volume III, October 1916 - June 1921, ed. James T. Boulton and Andrew Robertson (1984)
The Letters of D. H. Lawrence: Volume IV, June 1921 - March 1924, ed. Warren Roberts, James T. Boulton and Elizabeth Mansfield (1987)
The Letters of D. H. Lawrence: Volume V, March 1924 - March 1927, ed. James T. Boulton and Lindeth Vasey (1989)
The Letters of D. H. Lawrence: Volume VI, March 1927 - November 1928, ed. James T. Boulton and Margaret Boulton with Gerald M. Lacy (1991)
The Letters of D. H. Lawrence: Volume VII, November 1928 - February 1930, ed. Keith Sagar and James T. Boulton (1993)
The Selected Letters of D H Lawrence, ed. James T. Boulton (1997)
The Letters of D. H. Lawrence, with index: Volume VIII, ed. James T. Boulton (2001)
Selected Letters, ed. James T. Boulton (2008)

Biography & Secondary Literature:

Burgess, Anthony. Flame Into Being: The Life And Work Of D. H. Lawrence. London: Heinemann, 1985.

Carswell, Catherine. The Savage Pilgrimage. 1932. Cambridge: Cambridge University Press, 1981.

Clark, L D. The Minoan Distance: The Symbolism of Travel in D H Lawrence. Phoenix: University of Arizona Press, 1980.

Delany, Paul. D. H. Lawrence's Nightmare: The Writer and his Circle in the Years of the Great War. Hassocks: Harvester Press, 1979.

Dix, Carol. D H Lawrence and Women. London: Macmillan, 1980.

Draper, R P, ed. D H Lawrence: The Critical Heritage. London: Routledge and Kegan Paul, 1970.

Ellis, David. D. H. Lawrence: Dying Game, 1922 - 1930. Cambridge: Cambridge University Press, 1998.

Fernihough, Anne. D. H. Lawrence: Aesthetics and Ideology. Oxford: Clarendon Press, 1993.

Fernihough, Anne, ed. The Cambridge Companion to D H Lawrence. Cambridge, Cambridge University Press, 2001.

Harrison, John R. The Reactionaries: Yeats, Lewis, Pound, Eliot, Lawrence: A Study of the Anti-Democratic Intelligentsia. London: Victor Gollancz, 1966.

Hough, Graham. The Dark Sun: A Study of D H Lawrence. London: Duckworth, 1956.

Kermode, Frank. Lawrence. London: Fontana, 1973.

Kincaid-Weekes, Mark. D. H. Lawrence: Triumph to Exile, 1912 - 1922. Cambridge: Cambridge University Press, 1996.

Lawrence, Frieda. Not I, But The Wind. Santa Fe: Rydal Press, 1934.

Leavis, F. R. D H Lawrence: Novelist. London, Chatto and Windus, 1955.

Leavis, F. R. Thought, Words and Creativity: Art and Thought in D H Lawrence. London, Chatto and Windus, 1976.

Macleod, Sheila. Lawrence's Men and Women. London: Heinemann, 1985.

Maddox, Brenda. D. H. Lawrence: The Story of a Marriage. New York: Simon & Schuster, 1993.

Millett, Kate. Sexual Politics. Garden City, NY: Doubleday, 1970.

Moore, Harry T. The Priest of Love: A Life of D. H. Lawrence. London: Heinemann, 1974.

Nehls, Edward, ed. D. H. Lawrence: A Composite Biography. 3 vols. Madison: University of Wisconsin Press, 1957-59.

Neville, G H. A Memoir of D. H. Lawrence: The Betrayal. Cambridge: Cambridge University Press, 1981.

Preston, P. Preston. A D H Lawrence Chronology. London, Macmillan, 1994.

Roberts, W., and P. Poplawski. A Bibliography of D H Lawrence. Cambridge, Cambridge University Press, 2001.

Ross, Charles L, and Dennis Jackson, eds. Editing D H Lawrence: New Versions of a Modern Author. Ann Arbor, Michigan: University of Michigan Press, 1995.

Sagar, Keith. The Art of D H Lawrence. Cambridge: Cambridge University Press, 1966.

Sagar, Keith. D H Lawrence: a Calendar of his Works. Manchester, Manchester University Press, 1979.

Sagar, Keith. D H Lawrence Handbook. Manchester, Manchester University Press, 1982.

Sagar, Keith. D H Lawrence: Life into Art. Atlanta: University of Georgia Press, 1985.

Wood, Jessie Chambers ['E. T.']. D. H. Lawrence: A Personal Record. London: Jonathan Cape, 1935.

Worthen, John. D. H. Lawrence: The Early Years, 1885 - 1912. Cambridge: Cambridge University Press, 1991.

Worthen, John. D. H. Lawrence: The Life of an Outsider (London: Penguin/Allen Lane, 2005.

Homepages & Online Information:

Wikipedia entry